Lost Borders (2024)

from Why Women Went West

for soprano, bass clarinet, piano, and percussion

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Commission/Premiere Info:

Program Notes

Lost Borders (2024) is a new work from the final Act of my opera, Why Women Went West which includes the setting of “Silent Friend of Many Distances” (Rilke) originally for baritone voice, choir and ensemble. Based upon Austin’s texts from her book Lost Borders, this work describes her life in California desert -and beyond in New Mexico- the harsh, arid lands form a stark backdrop to the challenges of people who lead life there. The mystical forces which plagued her, and lured her to go West in Act I— reappear with the Bass-Clarinet solo from Owl’s Breath, embedded within the recap of powerful opening ritual materials of the piano and percussion. These lands of lost borders in the deserts of the southwest, still resonate today where life and death, quest for self-reliance, determination for survival in the harshest of conditions is common and yet transcendent.-Pamela Madsen

Purchase

To purchase the scores and parts, email Pamela Madsen directly at pmadsen@fullerton.edu.

Performances

March 30, 2024 | Brightwork newmusic at Boston Court, Pasadena, CA
March 26, 2024 | Brightwork newmusic in Meng Concert Hall, Cal State Fullerton

Press

“the scoring for just four instruments masterfully supports the complex and changing flow of emotions in the text” — Paul Muller, Sequenza 21